Tag: criticism
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The Green Knight
With my background in medieval literature, it was a great pleasure to review David Lowery’s The Green Knight (2021) for Cinema Scope. Find my review in the Fall issue with Tilda Swinton on the cover. With many thanks to Andrew Tracy, Kate Parkes, and Abby Clinton. Andrew Droz Palermo’s comments thanks to Filmmaker Magazine and…
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Cartoon Character
I had the pleasure of reviewing Terry Mosher’s Professional Heckler: The Life and Art of Duncan Macpherson for the Literary Review of Canada. With thanks to Kyle Wyatt, the Bora Laskin Law Library, and McGill-Queen’s University Press. Book cover design: David Drummond Illustration of Duncan Macpherson courtesy of David Parkins for the LRC. Founded in…
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Hinterland Remixed
I reviewed Andrew Burke’s Hinterland Remixed: Media, Memory, and the Canadian 1970s for the November 2020 issue of Border Crossings. With thanks to Meeka Walsh, John Patterson, and McGill-Queen’s University Press. Book cover design: David Drummond Video courtesy of Geronimo Inutiq Border Crossings (est. 1982) is a quarterly cultural magazine edited and published in Winnipeg.…
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Mashups
I wrote a short review of Megen de Bruin-Molé’s Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture for the TLS. With thanks to Michael Caines and Rozalind Dineen. Book cover design: Eleanor Rose Founded in 1902 as The Times Literary Supplement, the TLS is a weekly literary review published by News UK, a subsidiary…
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Feasts for the Eyes: Visuality and Desire in the Ulster Cycle
Essay on gender and visuality in three sagas of the Ulster cycle. First presented at Kalamazoo, May 2006. Published in Constructing Gender in Medieval Ireland, ed. Sarah Sheehan and Ann Dooley (Palgrave Macmillan, 2013). Illustration: Bob Pepper cover art for Evangeline Walton’s Island of the Mighty.
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Constructing Gender in Medieval Ireland
A ground-breaking collection of nine original essays for Palgrave’s New Middle Ages series, co-edited with Ann Dooley (Palgrave Macmillan, 2013). From the jacket: “This book is a groundbreaking re-reading of gender construction in Medieval Ireland. Despite Ireland’s unique early literature, there has been little produced on this topic, and it is a joy to find…
Sarah Sheehan 